"The Darjeeling Limited" Wes Anderson Cinematographer: Robert D. Yeoman I really like how Yeoman pans the camera from one situation to the other. (at 0.59 of clip) He does this a lot in this film, and it gives you a sense of being there in the same situation as the protagonists. Its also an effect which isn't overly used so it looks new and different to typical films. We probably wont be using this effect for our piece, as it wouldnt fit well, but i will try to use some experimental shots, and using oblique angles.
"Control" Anton Corbijn Cinematographer: Martin Ruhe One of my favourite things about this film is that its all in black and white. Not only does that indicate its time period, but it makes the whole thing look really classy and sophisticated which is a contrast to the actual film which is about rock & roll, women, drugs and suicide. Ruhe uses the black and white well to create really effective shadows which indicate the character's feelings, and the current mood of the situation
